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Fela Ransome-Kuti Fela, an activist and musician, was also a Pan-Africanist. He was a supporter of African culture, and was influenced Black Power. He travelled to Ghana where he found new music influences and a new direction for his music. He wrote songs he intended to be political slurs against the Nigerian government, and an international order that exploited Africa systematically. His music was adamantly radical. Fela Ransome-Kuti was a child of Abeokuta In the 1970s and 1980s, Fela Ransome-Kuti became known for his harsh style of music and shrewd political declarations. Many of his songs were direct attacks against the Nigerian government, particularly the military dictatorships that ran the country in the 1970s and 1980s. He also criticised his fellow Africans for supporting dictatorships. Fela's rebellion against oppressive governments cost him dearly. He was beaten, detained and even jailed several times. He once claimed to be a “prisoner of the Kalakuta Republic” and founded his own political group, the Movement for the Advancement of the People (MOP). The mother of Fela was Funmilayo Ransome-Kuti, a world-recognized feminist leader and rights for women activist. She was a teacher and a member of Abeokuta Women's Union. She also helped organize some of the first preschool classes in Abeokuta. She was a suffragist and active in the Nigerian Independence Movement. She was a close relative to writer and Nobel laureate Wole SOYINKA. Ransome-Kuti was a staunch advocate of Pan-Africanism and socialism. She advocated the preservation of traditional African practices and religions and opposed European cultural imperialism. Ransome-Kuti was influenced by Malcolm X, Eldridge Clever and the Black Power Movement. She was also a part of the African Renaissance movement. The music of Fela was able, despite his opposition to the oppressive Nigerian Government and Western culture, to garner an international fan base. His music incorporated elements from Afrobeat and rock jazz, and was heavily influenced by the beats of American jazz clubs. He was a staunch opponent of racism. The Fela's revolt against the Nigerian government landed him numerous arrests and beatings. It did not stop him from traveling the United States and Europe. In 1984, he again was snatched by the military and arrested under dubious charges. The incident led international human rights groups to intervene, and the government backed down. Kuti however, he continued to document and perform until his death in 1998. He was buried at Kalakuta Cemetery, Abeokuta. The city is now home to the Fela Museum. He was a musician A fervent Pan-Africanist, Fela was committed to using his music as a method of social protest. Using his funk-infused Afrobeat style, he criticized the Nigerian government while inspiring activists across the globe. Fela was born in 1938 in Abeokuta, Nigeria. He was the son Funmilayo Ransome Kuti, an anticolonialist who was a leader in the Nigerian women’s movement. His mother was also a physician and anti-colonialist as were his grandparents. His life's work was to fight for the rights and freedoms of the oppressed. Fela started his career in the field of music teacher in 1958, following the time he quit medical school. He wanted to follow his passion for music. He began playing highlife, which is a popular music genre that blends traditional African rhythms with Western instruments and jazz. He started his first group in London where he was able to improve his skills. On his return to Nigeria he created Afrobeat that combined the lyrics of agitprop with danceable rhythms. The new style was adopted by Africans and Nigerians across the continent. It was one of the most influential forms in African music. Fela's political activism during the 1970s led him into direct conflict with Nigerian regimes. The regime feared his music's ability to inspire people to stand up against their oppressors and change the status established order. Fela even despite repeated attempts to silence his music continued to make ferocious and danceable music to the end of his life. He passed away in 1997 due to complications caused by AIDS. The nightclub of Fela in Lagos known as Afrika Shrine was always packed with people. He also built the Kalakuta republic which was a commune that was used as his recording studio and club. The commune also was an area for political speeches. Fela was critical of the Nigerian government as well as world leaders such as Ronald Reagan, Margaret Thatcher and P.W. Botha, South African Prime Minister. Botha. His legacy continues to live in spite of his passing due to complications caused by AIDS. His Afrobeat sound has influenced many artists including Beyonce and Wyclef Jean. Jay Z also credits him as a source of inspiration. He was an enigmatic man who loved music as well as fun and women. But his greatest legacy is his unwavering efforts to fight for the oppressed. He was a Pan-Africanist The renowned Nigerian multi-instrumentalist and political activist Fela Anikulapo-Kuti was a Pan-Africanist, bringing his unique musical style to the cause of the people. A master of blending elements of African culture with American funk and jazz, he also used his music to protest against the oppressive Nigerian government. Despite being the subject of numerous arrests and beatings, he continued to stand up for and defend his convictions. Fela was born into the prestigious Ransome-Kuti family, which included anti-colonialists and artists. His mother Funmilayo Ransome-Kuti was a feminist educator and his father, Israel Oludotun Ransome-Kuti, helped to establish a union of teachers. He was a singer and listened to the traditional melodies and beats of highlife – an amalgamation of jazz standards, soul songs, and Ghanaian hymns. The worldview of Fela was formed by this musical legacy. fela lawyer was determined to bring Africa and the world together. In 1977, Fela recorded Zombie. The song compared police officers to a mindless mass of people who would obey orders and savagely attack people. The track irritated the military authorities, who invaded his house and sacked his compound. They slayed everyone, including Fela's children and women. His mother was taken from a window and later died of injuries she suffered in the assault. The war was the catalyst for Fela's anti-government activism. He established a commune, the Kalakuta Republic. It also served as a studio for recording. He also created an political party and separated from the Nigerian state, and his songs were more focused on social issues. In 1979, he took his mother's coffin into the headquarters of the ruling junta in Lagos and was then beaten. Fela was a warrior who was unstoppable and never bowed to the status of the game. He knew that he was fighting against a power that was unjust and inefficient, but he never gave up. He was the epitomization of the spirit of determination, and in this way the man was truly hero. He was a man who fought against all odds and, by doing so changed the course of the history of mankind. His legacy lives even today. He died in 1997 The death of Fela was a sour blow to his many fans across the world. He was 58 when he died and his funeral was attended by millions of people. The family of the deceased said that he had died of heart failure caused by AIDS. Fela played a major part in the creation and evolution of Afrobeat music Afrobeat music is a genre that blends traditional Yoruba rhythms jazz, as well as American funk. His political activism led to his arrest and beatings by Nigerian police however he refused to be disarmed. He preached Africanism and encouraged others to stand up against corruption in the Nigerian military government. Fela was also a major influencer on the Black Power movement in the United States, which inspired him to continue fighting for Africa. In his later years, Fela suffered from skin lesions and dramatic weight loss. These symptoms were an obvious sign that he had AIDS. He was an AIDS denier and refused treatment, but eventually passed away from the disease. Fela Kuti's legacy is sure to live on for the next generation. Kuti's music is a strong political statement that challenges the status of the art. He was a revolutionist who wanted to change how Africans were treated. He used his music as a means of social protest and was a fighter against colonialism. His music had a profound impact on the lives of many Africans and he'll be remembered for that. Fela collaborated with many producers throughout his career to create his distinctive sound. Some of these producers included EMI producer Jeff Jarratt and British dub master Dennis Bovell. His music was a blend of traditional African beats, American funk, and jazz, gaining him an international following. He was controversial in the world of music and was often critical about Western culture. Fela was known for his controversial music and lifestyle. He smoked marijuana in public and had many affairs with women. Despite his outrageous life, he was a staunch activist and was a fighter for the rights of the poor in Nigeria. His music was influential in many Africans who lived their lives and helped them to embrace their own culture.